Game of Cupids

The influential print, Game of Cupids, created in 1533 by the Master of the Die (Italian, active c. 1530-1560) after an original design by Raffaello Sanzio, called Raphael (Italian, 1483-1520), exemplifies the crucial role of reproductive prints in the High Renaissance. This engraving, meticulously executed and printed in black ink on paper, showcases the technical precision achieved by Roman printmakers in Italy during the period immediately following Raphael's death. The work serves both as a vital record of Raphael’s innovative compositions and as a demonstration of the Master of the Die’s skill in translating complex designs into line art.

The subject focuses on classical mythology, specifically depicting numerous Cupids engaging in lively, playful activities. This type of mythological scene was immensely popular among Renaissance patrons, allowing the artist Die to explore idealized forms and dynamic movement in the classical mode established by Raphael. Produced shortly after Raphael’s original composition, the work helped widely disseminate the master’s signature style across Europe, establishing new pictorial standards.

As a highly sought-after printmaker in Italy, the Master of the Die was essential in establishing the benchmark for engraved reproductions of celebrated compositions. The clean lines and detailed cross-hatching visible in this example of engraving highlight the mastery required to produce high-quality prints that captured the subtleties of the original design. This specific impression, dating to 1533, is held in the distinguished collection of the Art Institute of Chicago. Because the image is now well within the realm of heritage artwork, it is frequently treated as public domain material for historical study and reproduction.