Fustium Admonitio (John Beaver, Roman Military Punishments, 1725) is an authoritative etching executed by the celebrated English printmaker, William Hogarth. Created around 1725, this work belongs to the classification of prints that Hogarth utilized extensively to disseminate his satirical and socio-historical commentary across the burgeoning 18th-century art market. The deliberate use of etching as the medium allowed for high-quality reproduction and broad accessibility, a defining characteristic of Hogarth’s influential output.
The subject matter focuses sharply on Roman military punishments, specifically illustrating the strict judicial administration over soldiers. Hogarth frequently drew upon historical precedents, such as the Roman disciplinary systems, to provide a commentary on contemporary British institutions and the concept of men subject to absolute authority. The depiction of severe punishment acts as a powerful reminder of the harsh realities underlying the maintenance of order in military structures.
This important historical print, dating from the early phase of Hogarth’s career, demonstrates his developing mastery of composition and the narrative detail necessary for effective visual critique. The enduring relevance of the themes of power and discipline ensures that Fustium Admonitio remains a significant piece of social documentation. Today, the work is preserved in the comprehensive collection of the Metropolitan Museum of Art. As a major 18th-century print residing in a public collection, high-resolution reproductions of this historical image are frequently made available for study and enjoyment through public domain initiatives.