Fodina argentea Sahlensis – A Silver Mine at Sala - II (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 33, no. 2) by William Hogarth, print, 1723-1724

Fodina argentea Sahlensis – A Silver Mine at Sala - II (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 33, no. 2)

William Hogarth

Year
1723-1724
Medium
Etchng and engraving
Dimensions
sheet: 9 13/16 x 6 1/2 in. (25 x 16.5 cm)
Museum
Metropolitan Museum of Art

About This Artwork

Fodina argentea Sahlensis – A Silver Mine at Sala - II (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 33, no. 2) is a detailed etching and engraving created by William Hogarth between 1723 and 1724. This work belongs to a series of illustrations commissioned for the influential English travelogue authored by Aubry de La Mottraye, providing visual documentation for the author's extensive exploration across Europe, Asia, and Africa. Hogarth undertook numerous illustrative assignments early in his career, mastering the complex interplay between etched lines and engraved detail required for accurate plate printing in bound volumes.

The subject of this specific plate is the historic silver mine located in Sala, Sweden, with the Latin title translating literally as "The Silver Mine of Sala." Though classified primarily as an 18th-century print, the composition functions as a historical map-like diagram, providing viewers with an elevated perspective that delineates the structure and operational aspects of the deep shafts and associated workings. Such detailed topographical and technical illustrations were crucial components of early modern travel literature, providing visual evidence and geographical context for the descriptions provided in the text.

This print is an important example of Hogarth’s work prior to his widespread fame as a satirical narrative artist. It showcases his precision in producing technical drawings and his skill in creating complex visual representations that adhere to factual necessity. As a significant document of early Georgian illustration, the work is held within the renowned collection of the Metropolitan Museum of Art. Prints of this age, especially those published in major historical works, frequently become available through public domain initiatives, ensuring this geographical record remains accessible to researchers and students worldwide.

Cultural & Historical Context

Classification
Print

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