Feuille de douze médailles antiques, a masterful lithograph created by Eugène Delacroix in 1825, exemplifies the French Romantic interest in classical history and archaeological forms. This print, executed in the relatively nascent medium of lithography, demonstrates Delacroix’s facility beyond oil painting and drawing, allowing him to capture the precise detail necessary for reproducing ancient numismatics.
The sheet meticulously renders twelve separate antique medals, showcasing the sharp profiles of historical figures, gods, or emperors typically found on Roman or Greek coinage. Each circular image is carefully differentiated, suggesting their use as studies or reference points for larger academic projects that informed the era’s major artistic output. The choice of the lithographic process, where the image is drawn directly onto stone, was ideal for creating the high-quality, reproducible prints required for reference material or publication in early 19th-century France.
While Delacroix is most famous for his dramatic historical canvases, such as Liberty Leading the People, he consistently utilized printmaking for preliminary studies, book illustrations, and technical exercises. This technical approach allowed the prolific artist to efficiently distribute his work and scholarly ideas. Dating to the height of the Romantic movement, the work offers valuable insight into the academic pursuits that underpinned Delacroix's practice. Many such historical studies, now categorized as public domain material due to their age, continue to serve as vital records of artistic and historical reference. This highly detailed Feuille de douze médailles antiques is maintained as part of the distinguished permanent collection of the Cleveland Museum of Art.