*Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden" by William Blake is a significant 1791 engraving created as an illustration for the third edition of Darwin’s influential didactic poem. This print depicts the mythological personification of the annual life-giving inundation of the Nile River, interpreting Darwin’s scientific explanation of botanical fertilization through powerful allegorical imagery. The goddess figure, perhaps Isis or the spirit of the Nile itself, hovers over the land, directing the flood that brings life and fertility to Egypt.
The medium of engraving allowed Blake to achieve the fine detail necessary for illustrative works destined for mass publication and reproduction. Unlike his self-published illuminated books, Blake was operating here as a professional printmaker commissioned to translate another author's vision. Nonetheless, Blake’s distinctive style, which merges precise classical rendering with visionary intensity, transforms Darwin's poetic discussion of the Linnaean system of botanical classification into a scene rife with symbolic power, typical of the emerging Romantic sensibility.
This piece bridges the late Enlightenment emphasis on rational science and classification with the imaginative freedom that characterized Romantic art. Blake’s masterful interpretation elevates the scientific subject matter beyond a simple diagram, imbuing the mechanical process of reproduction with mythological significance. The work remains an important example of 18th-century English prints and book illustration, vital for understanding the intersection of science and visual culture during this formative period. This historical engraving is held in the permanent collection of the Metropolitan Museum of Art.