The enigmatic print Faust, created by Rembrandt van Rijn between 1647 and 1657, is a sophisticated example of the Dutch Master's innovation in graphic media. This specific impression represents the first of seven known states, utilizing a complex combination of etching, engraving, and drypoint to achieve exceptionally rich tonal contrasts. Though often linked to the nascent German legend of Dr. Faustus, the work portrays a thoughtful scholar, one of the many solitary men who populate Rembrandt’s prints, startled by an ethereal vision appearing in his secluded study.
The composition focuses sharply on the seated figure, illuminated dramatically by a circular burst of light that pierces the oppressive darkness of the room. Rembrandt’s technical command is evident in the delicate modeling of the scholar’s face and posture. The light emanates from a mystical sign or magical apparition visible outside what appears to be a window or portal, emphasizing the conflict between intellectual rigor and the occult. The deep shadows dominating the interior are rendered with velvety intensity thanks to the heavy use of drypoint.
Rembrandt was highly innovative in developing the print medium during this decade, constantly reworking his copper plates to produce unique emotional and visual effects across different states. This ability to capture a profound psychological moment through printmaking establishes Faust as a masterpiece. Today, high-resolution prints of this seminal work are widely available through public domain collections. This impression resides within the significant graphic arts collection of the Metropolitan Museum of Art.