Evening by William Hogarth, print, 1738

Evening

William Hogarth

Year
1738
Medium
etching and engraving
Dimensions
sheet: 48.3 × 38.5 cm (19 × 15 3/16 in.) mount: 62.7 × 46.2 cm (24 11/16 × 18 3/16 in.)
Museum
National Gallery of Art

About This Artwork

"Evening," created by William Hogarth in 1738, is a significant example of British satirical prints from the Georgian era. Classified as a print, the work was executed using the contrasting techniques of etching and engraving, allowing Hogarth to achieve both fine detail and dramatic tonal shifts. Hogarth, renowned for his moralizing series that skewered the social hypocrisies of 18th-century London, produced this piece as part of his famous cycle, The Four Times of Day.

The scene depicted in this piece encapsulates the urban social realities of the mid-18th century. Hogarth often set Evening in the semi-rural outskirts of the city, portraying a weary, pregnant woman and her overworked husband returning home with their child. The composition frequently contrasts the apparent calm of the twilight hour with the domestic tension and physical exhaustion of the family unit. The environmental details, such as industrial soot and decaying infrastructure, serve to anchor the satire in the reality of the sprawling metropolis, reflecting the socio-economic conditions prevalent during the period spanning 1726 to 1750. Hogarth's use of intricate visual narrative serves not only to capture the specific moment but also to highlight the subtle distinctions in class and manners that defined Georgian society.

As a highly influential figure in the development of graphic satire, Hogarth popularized the practice of selling series of prints directly to the public, ensuring his moral commentary reached a wide and democratic audience. This accessibility was central to his artistic mission. This particular work, classified under the British school of art, is held in the permanent collection of the National Gallery of Art, attesting to its importance in the history of graphic arts. Today, high-resolution reproductions of Evening, like many significant historical prints, are often accessible through public domain initiatives, allowing scholars and art enthusiasts worldwide to study Hogarth’s masterful technique and his incisive social critique.

Cultural & Historical Context

Classification
Print
Culture
British
Period
1726 to 1750

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