Een tekenaar tekent een vrouw is a compelling print created by the German master Albrecht Dürer in 1525. This precise work, executed on paper, exemplifies Dürer’s late period fascination with measurement, perspective, and the theoretical underpinnings of art. The print depicts a scene of artistic practice: a male draftsman, seated comfortably, focuses intently on sketching a female model who is reclining on a low couch. The composition is highly geometric, suggesting that the image may have served as an illustrative plate in a treatise on drawing or architectural theory, common in Renaissance Germany.
Dürer’s meticulous approach is evident in the detailed rendering of the drapery and the careful placement of the subjects within a defined, contained space. The central focus on the act of drawing itself reveals the rising status of the artist during the Northern Renaissance. The utilization of the print medium allowed Dürer to widely disseminate his innovative ideas on proportion and human anatomy across Europe, influencing generations of subsequent artists. As a piece produced by the German school in the 16th century, Een tekenaar tekent een vrouw holds significant importance in the history of graphic arts. This valuable work is preserved within the extensive collection of the Rijksmuseum, and due to its age and historical context, high-quality reproductions are frequently available through public domain collections for scholarly research and appreciation.