Écorché: Three Studies of a Male Cadaver is a rigorous academic drawing executed by the celebrated Romantic artist Eugène Delacroix, created sometime between 1820 and 1863. This classification as an écorché indicates an intense anatomical study of a flayed figure, designed to reveal the complex system of musculature, crucial knowledge for any painter attempting monumental history or figurative scenes. The drawing utilizes pen and brown ink over preliminary graphite sketches, demonstrating Delacroix's careful process in capturing the precise forms and contours of the human structure. The sheet presents three views of the male cadaver, emphasizing different poses that highlight the flexing and tension of the exposed muscle groups.
Such anatomical observations, often conducted in morgues or specialized studios, were fundamental to 19th-century artistic training, anchoring the expressive freedom of the Romantic movement in scientific accuracy. Delacroix applied this discipline throughout his career, using these deep anatomical insights to infuse his figures with dramatic dynamism.
This important preparatory work provides a unique view into the artist’s methodology and commitment to mastery of the human form, capturing the raw structure beneath the skin. The drawing is held within the esteemed collection of the Metropolitan Museum of Art. Because many such preparatory studies eventually enter the public domain, high-quality prints of this remarkable piece are frequently utilized today for anatomical reference and educational purposes, testifying to the enduring value of Delacroix's foundational skills.