Ecce Homo (Christ with the Reed)

Ecce Homo (Christ with the Reed) by Eugène Delacroix, executed in 1833, is a striking example of the Romantic master’s deep engagement with graphic arts. This piece is a precise etching, notable for representing the first state of four known versions, offering unique insight into Delacroix’s early printing process before later adjustments were made to the composition.

The subject matter, translating to "Behold the Man," depicts Christ immediately after his scourging and mockery, presented to the crowd by Pontius Pilate. Delacroix focuses intensely on the emotional suffering of Christ, who holds the reed that symbolizes the crown placed upon him in derision. Although known primarily for his expansive oil paintings, Delacroix utilized etching to translate the dramatic contrasts and expressive power of Romanticism into a sharp, monochromatic form. The technical challenge of achieving depth and shadow using etched lines is expertly overcome, creating a deeply affecting representation of the biblical scene.

Dating from a pivotal moment in Delacroix’s career, this work highlights the artist’s commitment to exploring high-drama religious imagery through the medium of prints. The impression currently resides within the esteemed collection of the Metropolitan Museum of Art, where it serves as a key reference for the study of nineteenth-century French graphic arts. Historically significant Ecce Homo prints like this one, due to their age and inclusion in major institutional collections, are frequently digitized and made available through public domain initiatives, ensuring continued access for scholarly research and appreciation.