Duendecitos (Hobgoblins) is a profound print created by Francisco Goya in 1799, capturing the anxieties and satirical spirit of the Spanish Enlightenment. This piece utilizes the demanding technique of etching combined with burnished aquatint on laid paper. The dual processes allowed Goya to create dramatic contrasts, employing etching for detailed line work and aquatint for broad, atmospheric tonal washes. Aquatint, a favored technique for Spanish artists working during the period 1776 to 1800, lends the work its distinctive texture and depth, characteristic of Goya’s mature graphic output.
The title, translating to "Hobgoblins" or "Little Goblins," reflects the prevalent themes of superstition, fear, and the irrational that Goya frequently explored in his art. Unlike his official court commissions, the medium of the print allowed Goya greater freedom to critique prevailing Spanish society and the lingering adherence to old beliefs and folklore. Goya often employed grotesque figures and fantastical scenes to satirize human folly, placing this work firmly within the tradition of dark visual commentary that defined the transition from the eighteenth to the nineteenth century. The unsettling, ill-defined setting is heightened by the heavy application of the aquatint, obscuring the environment and focusing the viewer's attention solely on the shadowy, ambiguous figures.
As a pivotal example of Spanish printmaking from this era, the piece demonstrates Goya’s shift toward a highly individualized, psychological style that moved away from classical ideals. Such works solidified his reputation as a master of the graphic arts and secured his legacy as an early voice in modern art. Today, this important piece is held in the permanent collection of the National Gallery of Art, Washington D.C. Given the work's age and historical significance, high-quality images of this powerful etching are frequently made available for study through the public domain, ensuring the continued study of Goya’s influential prints.