Doge Andrea Gritti is an imposing oil on canvas painting attributed to the Workshop of Titian (Tiziano Vecelli; Italian, 1477-1576), dating to the 16th century. This work of Italian Renaissance portraiture captures Andrea Gritti, who served as Doge of Venice from 1523 to 1538. Due to the high demand for official state portraits during this highly prolific period, Titian often relied upon his skilled workshop assistants to produce copies or variations of original compositions, making the attribution to the 'Workshop' appropriate for this piece.
The painting showcases the dramatic style characteristic of Titian’s approach to portraying powerful figures. The technique involves robust rendering and deep tonalities, elements frequently used in the Venetian school to emphasize the subject’s authority and strong political character. While the primary composition is generally credited to the master himself, the execution here demonstrates the rigorous studio practices necessary to fulfill commissions for documenting the leading political figures of the time. Many of Titian's major Venetian patrons commissioned such works, which were crucial for maintaining their official public image across the city and state.
This canvas serves as an excellent historical example of Venetian court portraiture and the immense demands placed upon prominent Italian Renaissance artists during the height of their influence. The subject, a powerful symbol of the Venetian Republic, continues to be widely studied. Given the work’s age and significance in the history of art, the composition is widely referenced, and high-quality prints derived from reproductions are often available today through public domain collections. The work currently resides in the permanent collection of the Art Institute of Chicago, where it contributes significantly to the museum’s holdings of 16th-century European art.