Disparate pobre (Poor Folly) by Francisco Goya is a powerful example of the artist’s late graphic work, forming part of the challenging and enigmatic series known as the Los Disparates (The Follies). Created around 1816, this impression utilized the demanding combination of etching, burnished aquatint, drypoint, and burin. This specific proof, characterized by its delicate tonal variations, was printed posthumously, likely between 1854 and 1863, long after Goya’s death. The original date of creation places the artwork firmly within the period of 1801 to 1825, a turbulent era that profoundly influenced the output of the Spanish master.
Goya employed the medium of prints during this time to move beyond direct political commentary toward deeply psychological and satirical examinations of the human condition. The theme of Disparate pobre specifically addresses the grim realities of destitution, translating the concept of poverty into a darkly absurd or irrational scene, typical of the entire series. Unlike the clear narratives of the Caprichos, the Disparates often present ambiguous, dream-like settings and distorted figures, suggesting a descent into madness or the illogical nature of societal structures. Goya’s technical skill is evident in the handling of the burnished aquatint, which allows for subtle gradations of shadow that heighten the emotional intensity of the subject.
This rare impression of Disparate pobre is housed in the collection of the National Gallery of Art. Due to the historical age and recognized artistic importance of Goya’s graphic cycles, high-resolution images of these foundational prints are often available through public domain resources, ensuring their continued accessibility for scholarly study and appreciation of this profound phase in the artist’s career.