De Heilige Familie met Johannes de Evangelist, Maria Magdalena en Nicodemus is a significant print created by the German Renaissance master Albrecht Dürer between 1510 and 1515. This intricate composition, executed on paper, exemplifies Dürer’s profound influence on the development of graphic arts during the early sixteenth century. As a key figure in the Northern Renaissance, Dürer elevated the status of the print medium, utilizing its potential for meticulous detail and wide public distribution of complex theological subjects across Germany.
The subject moves beyond a traditional depiction of the Holy Family, incorporating the figures of John the Evangelist, Mary Magdalene, and Nicodemus to add layers of doctrinal meaning. The presence of these witnesses transforms the scene from a simple devotional image into a profound study of faith and salvation. Dürer’s compositional mastery is evident in the detailed handling of drapery and the careful positioning of the figures within the tight frame, balancing intense emotional depth with classical structure.
This period marks the apex of Dürer’s career in creating reproducible works, reinforcing his reputation as one of history's most influential artists. The accessibility of these prints allowed broad audiences to engage directly with high-quality German artistry. This exceptional example of early 16th-century graphic art is held in the prestigious collection of the Rijksmuseum, serving as a critical reference point for studying Dürer’s lasting impact.