Dance of Death: The Child by Hans Holbein the Younger (1521-1526) is a seminal example of German Renaissance printmaking. Executed as a detailed woodcut, this piece belongs to Holbein’s renowned series illustrating the Danse Macabre, a thematic tradition that starkly reminded audiences of mortality and the equality of all ranks before Death. Younger, though based primarily in Basel at the time, developed this series during a period of intense religious and social upheaval, lending particular urgency to his depictions of human vulnerability.
The work powerfully conveys the tragic vulnerability of youth. The scene depicts Death seizing a small, struggling child directly from its distraught mother. Unlike many other figures in the Danse Macabre cycle, where Death merely acts as a guide, here the figure of Death is aggressive and swift, emphasizing the arbitrary nature of fate. Younger’s exceptional skill in the demanding medium of the woodcut is evident in the precise linework, deep shadows, and dramatic contrast, lending the small format print a monumental intensity.
This series was widely influential in Germany and across Europe, contributing significantly to the history of graphic arts. Though produced for wide dissemination as prints, the quality of individual impressions remains crucial to understanding the artist's technique. Because of its age and lasting cultural impact, this image is now frequently reproduced, often existing within the public domain. This impression of Dance of Death: The Child is held within the distinguished collection of the Cleveland Museum of Art.