Dance of Death: The Bishop by Hans Holbein the Younger is a profound woodcut print executed between 1521 and 1531, a crucial period for Northern Renaissance artistry in Germany. This powerful, small-scale work belongs to Younger's renowned series that popularized the late medieval morality theme of the Danse Macabre. Utilizing the stark contrasts inherent in the woodcut medium, Younger masterfully depicts a bishop whose worldly authority offers no resistance to the skeletal figure of Death. The print serves as a pointed critique of ecclesiastical vanity and corruption prevalent during the Reformation era.
In this specific scene, Death interrupts the Bishop, perhaps while he is accepting a bribe or demanding tithes, forcefully pulling away his crozier. Younger’s exceptional skill in printmaking is evident in the intricate detailing of the Bishop's vestments and the expressive, terrified countenance of the cleric. The entire series emphasized the inevitability of mortality across all social strata, a universal message that resonated deeply with the 16th-century public.
This important example of early modern prints is held in the esteemed collection of the Cleveland Museum of Art, where it helps illustrate the revolutionary use of mass-produced imagery to convey complex theological and political ideas. Although created nearly five centuries ago, the work remains an enduring and insightful commentary on power, wealth, and human frailty, readily accessible to scholars and the public through high-quality public domain reproductions.