Cowherd is a key print created by Camille Pissarro between 1894 and 1904, marking a period when the artist dedicated significant effort to graphic arts, particularly lithography. This particular impression utilizes the precise technique of chine collé, where the image is printed onto a thin, delicate pink/gray paper that is then carefully affixed to a heavier backing sheet. This specialized printing process allowed Pissarro to achieve subtle textural variations and enrich the composition's atmospheric qualities. This impression represents the only known state pulled, confirming its status as the definitive version of the composition.
The subject matter aligns with Pissarro’s enduring commitment to depicting rural French life, a consistent and often romanticized theme in his late-career prints. The composition focuses intimately on women tending to livestock, specifically cows, rendering a gentle pastoral scene that stands in contrast to his earlier bustling urban studies. Pissarro utilizes the soft, velvety tonal capabilities inherent to the lithograph medium to emphasize the quiet interaction between the women and their animals in this humble agricultural setting, continuing his Impressionist exploration of light and atmosphere through black-and-white media.
Pissarro’s rigorous graphic output offers vital insight into his methodologies during the turn of the century, demonstrating his versatility across mediums. This important print is preserved in the collection of the Metropolitan Museum of Art, where it serves as a strong example of how Impressionist masters adapted their vision to the techniques of printmaking.