The Cover for "L'Estampe originale, Album I, publiée par les Journal des Artistes" is a highly significant color lithograph created by Henri de Toulouse-Lautrec in 1893. Printed in six vibrant colors on folded wove paper, this work served as the visual introduction to the first album of L'Estampe originale, a pioneering publication dedicated to promoting original prints and graphic arts by contemporary masters. Produced during the height of the Parisian Belle Époque, this piece illustrates how Toulouse-Lautrec elevated commercial art, treating the demanding technical process of chromolithography with the seriousness traditionally reserved for painting.
The composition captures the sophisticated atmosphere of the literary and artistic circles that defined fin-de-siècle Paris. Toulouse-Lautrec employs his characteristic dynamic lines and abbreviated style, focusing on intimate social interactions. The subject matter depicts men and women engaged in the quiet intellectual life of the era, specifically showing individuals reading or examining new publications. The figures are rendered with immediacy, inviting the viewer into a space where the consumption of art prints and literature was a central cultural activity.
The complexity of producing this image as an only state lithograph in six colors demonstrates Lautrec’s technical mastery and the rapid advancements in color printing during the 1890s. As the cover for the inaugural album, this piece defined the aesthetic standards for the entire series, helping to solidify the importance of prints in modern collecting. This impression is held in the renowned collection of the Metropolitan Museum of Art, where it serves as a key example of the artist’s powerful influence on advertising, poster design, and the broader world of graphic arts.