Cornelis Claesz. Anslo, Preacher

Cornelis Claesz. Anslo, Preacher by Rembrandt van Rijn Dutch, 1606-1669, is a quintessential example of 17th-century portraiture executed in 1641. This striking print was created using the combined techniques of etching and drypoint in black ink on cream laid paper. Rembrandt, a recognized master of the graphic arts, utilized these methods to achieve profound tonal variation and texture. The precision of the etching needle provides fine detail, while the burr created by drypoint scratches directly into the plate lends a rich, velvety quality to the deep shadows and the texture of the preacher’s clothing.

The subject, Cornelis Claesz. Anslo (1592-1646), was a highly influential Mennonite preacher and writer in the Netherlands. The depiction captures Anslo seated in contemplation or mid-discourse next to a table laden with texts. The composition expertly uses dramatic contrast of light and shadow to emphasize the subject’s face and hands, drawing attention to his intellectual gravity and piety. This intense focus on psychological depth and the status of educated individuals reflects the cultural priorities of the Dutch Golden Age.

The skillful execution of this piece solidified Rembrandt’s reputation as the preeminent printmaker of his time. Works like Cornelis Claesz. Anslo, Preacher are highly valued for their technical mastery and clarity of impression. This celebrated portrait is held in the renowned collection of the Art Institute of Chicago, where it serves as a key reference for studying the artist’s graphic output. As many original 17th-century European prints have entered the public domain, this medium ensures the continued study and broad accessibility of Rembrandt’s profound legacy.