Cornelis Claesz Anslo, Mennonite Preacher by Rembrandt (Rembrandt van Rijn), dating to 1641, is a masterful example of 17th-century Dutch printmaking. This particular impression is an etching, specifically the second of five known states, demonstrating the artist's meticulous process of refinement on the copper plate. Anslo (1592-1646) was an influential and wealthy Mennonite pastor in Amsterdam, a figure whose theological importance made this portrait highly sought after by contemporaries and showcases Rembrandt’s skill in depicting prominent Dutch Men.
Rembrandt captures the sitter in a moment of quiet contemplation, rendering the subject with profound psychological depth, characteristic of the artist's portraiture work. Anslo is shown seated at a desk, likely preparing a sermon or studying; the prominent inclusion of Books emphasizes his scholarly profession and the importance of scripture within the Mennonite tradition. The skillful handling of the etching needle provides dramatic contrasts of light and shadow, defining the texture of his clerical clothing and the focused expression on his face. This attention to texture and detail solidified Rembrandt’s reputation as a peerless graphic artist.
As one of the most celebrated prints produced by Rembrandt, this work highlights his status not only as a painter but as the era’s foremost master of etching. Works such as this, often circulated widely, helped cement the artist's fame across Europe. This particular example is classified as a print within the extensive collection of the Metropolitan Museum of Art. Its quality ensures that the details of the original 1641 etching remain visible, allowing audiences access to this important historical and artistic depiction of a key religious leader. Today, high-resolution images of these historic prints are often available through public domain initiatives.