Coquelin the Elder, from Treize Lithographies

Coquelin the Elder, from Treize Lithographies by Henri de Toulouse-Lautrec French, 1864-1901, is a significant example of the artist's masterful printmaking technique, created in 1898. Executed as a lithograph on cream wove paper, this work captures a key figure of the French stage during the fin-de-siècle. This specific impression is part of a limited portfolio series known as Treize Lithographies (Thirteen Lithographs), demonstrating Lautrec’s sustained interest in documenting Parisian cultural life through the graphic arts.

The subject, Benoît-Constant Coquelin (Coquelin aîné), was one of the most celebrated actors of his era, primarily known for his association with the Comédie-Française and his iconic creation of the role of Cyrano de Bergerac. Lautrec consistently utilized the directness and immediacy of lithography to capture the personalities of those inhabiting the vibrant theatrical and cabaret world of late 19th-century France. This particular piece showcases the artist's characteristic economy of line, which quickly conveys the actor’s distinguished presence and deep psychological character.

Classified simply as a print, the work reflects Toulouse-Lautrec's dedication to rapid, incisive observation, prioritizing expressive form over highly polished detail. The work is held in the extensive collection of the Art Institute of Chicago, demonstrating the museum's commitment to preserving key examples of late 19th-century French graphic arts. Due to its age and historical importance, this print is typically considered available for study and reproduction within the public domain, allowing wide access to Lautrec's powerful record of Parisian celebrity and artistic culture.