"Cooling the Porridge," created by Jean-François Millet in 1861, is a masterful etching on chine collé that captures an intimate domestic scene. The composition focuses on a young woman carefully tending to a bowl of food, preparing it for the infant asleep beside her. This subject exemplifies Millet’s career-long dedication to portraying the essential labors of the French peasantry, centering the dignity of rural women as providers and caregivers. By focusing on mundane actions like cooling food, Millet elevates the simple requirements of nurturing the young into a resonant artistic theme.
The work is technically classified as a print and specifically represents the fifth and final state of the plate, indicating the artist's focused effort to refine the delicate line work achieved through the etching process. Utilizing chine collé—a process where a thin, prepared paper is adhered to a heavier support sheet during printing—Millet achieved a rich tonal contrast and texture in this graphic medium.
This detailed print, Cooling the Porridge, is preserved today within the vast collection of the Metropolitan Museum of Art. Millet's profound influence on 19th-century European realism ensures that studies like this etching remain crucial reference points for understanding the era's social and artistic movements. Reflecting its historical importance, this work is often considered within the public domain, making high-quality prints and reproductions widely accessible for research and appreciation, allowing contemporary audiences to connect with Millet’s sincere depiction of working women, infants, and the enduring necessity of food and domestic care.