Clement de Jonghe, created by Rembrandt van Rijn in 1651, is a masterful example of 17th-century Dutch printmaking. The image combines the precise linearity of etching with the rich tonal depth achieved through drypoint and burin techniques meticulously applied to laid paper. This technical combination allowed Rijn to achieve textural nuances impossible in pure etching, particularly the deep, velvety blacks characteristic of the drypoint burr, which is evident in the sitter’s dark clothing and the shadows enveloping the composition.
The subject, Clement de Jonghe, was a highly prominent Amsterdam art dealer and print publisher. As a key figure in the dissemination of images during the Dutch Golden Age, his professional association with Rijn made this portrait a subtle yet significant document of the era’s sophisticated art market. The work, produced early in the period spanning 1651 to 1700, showcases the artist’s mature understanding of light and shadow, prioritizing psychological insight over mere physical description. Rijn focuses light intently on De Jonghe’s face and hands, drawing the viewer directly into his thoughtful, introspective gaze.
This mature study reflects Rijn’s sustained exploration of graphic techniques during a period when he created some of his most profound and technically inventive prints. The careful composition utilizes shadow and controlled detail to suggest the inner life of the successful businessman. Today, this iconic piece is housed in the extensive collection of the National Gallery of Art. Because of its age and profound historical importance, the artwork often resides in the public domain, ensuring widespread availability for study and appreciation of Rijn’s exceptional draftsmanship.