Christ Preaching (The Hundred Guilder Print) is a reproductive print created in 1873 by Léopold Flameng after the original design by Rembrandt van Rijn. This specific impression is a remarkable example of 19th-century French printmaking, utilizing the demanding technique of etching applied on chine collé upon wove paper. Chine collé, or "glued Chinese paper," refers to the practice of backing a thin, delicate paper, which captures fine details of the etching plate, onto a thicker support sheet. While the original composition by Rijn dates to the mid-17th century, Flameng’s work places the piece firmly within the French artistic culture of the 1851 to 1875 period.
Léopold Flameng (1831-1911) was a respected French engraver known for his faithful and technically precise reproductions of Old Master works. The original composition depicts Christ addressing a diverse crowd, often identified as the moment when He declares salvation for both the rich and the poor. The scene is intensely humanistic, showcasing a vast array of figures grouped around the central light source emanating from Christ. Rijn’s mastery of light and shadow, essential to the drama of the original etching, is meticulously translated by Flameng’s careful line work in this 1873 reproduction.
The original work is one of the most celebrated etchings in art history, informally known as The Hundred Guilder Print due to its legendary high selling price in the 17th century. By the time this reproduction was made, the need to document and share these seminal works was paramount. Reproductive prints, especially those based on masterpieces by Rijn, served a critical role in disseminating knowledge and appreciation for historical art across Europe during this era. Many of these seminal artworks were becoming part of the public domain, increasing the demand for high-quality copies. This influential piece remains an important artifact, documenting both the enduring influence of the Dutch master and the technical skills of 19th-century French etchers. The work resides in the print collection of the National Gallery of Art.