Christ Preaching, known as La petite tombe

Christ Preaching, known as La petite tombe by Rembrandt van Rijn, created in 1657, is a pivotal example of the artist's late mastery of the printmaking medium. This specific impression, held within the collection of the Rijksmuseum, was rendered using the demanding techniques of etching and drypoint upon delicate Japanese paper. The choice of paper contributed significantly to the subtle tonal variations and richness achieved by Rijn, enabling him to explore the full potential of shadow and line work.

The subject depicts Christ addressing a diverse crowd, utilizing a dense composition that encapsulates humanity across different social strata. Unlike traditional depictions of sermons, Rijn focused intensely on the reactions and varied postures of the listeners, shifting the focus from the orator to the recipients of the spiritual message. Christ is centrally illuminated, standing near what is often interpreted as a stone structure-or perhaps the small 'tomb' that gives the work its informal French title, La petite tombe.

Rijn's treatment of light and shadow here is exceptionally sophisticated. He uses dense cross-hatching in areas of darkness to create dramatic depth, contrasting sharply with the intensely illuminated figure of Christ. This control over light directs the viewer's gaze and emphasizes the spiritual focus of the moment.

The sophistication of this etching showcases why Rijn's prints are considered among the highest achievements of the Dutch Golden Age. Many major museums worldwide house impressions of this famous work. As centuries have passed since its creation, digital copies of these influential art prints have entered the public domain, ensuring widespread access to this historical religious scene. The original piece remains a cornerstone of the Rijksmuseum's extensive collection of prints and drawings.