Christ on the Cross with Mary and Saint John is a profoundly moving religious image created by the German master Albrecht Dürer in 1510. This work, classified as a print, was executed as a woodcut on laid paper. During the period 1501 to 1550, Dürer revolutionized printmaking, establishing the medium as a high art form capable of the expressive detail previously reserved for painting. This piece is a powerful example of the sophisticated visual language Dürer developed in the early decades of the sixteenth century, synthesizing Northern detail with emerging Renaissance ideals of composition.
The subject, the Crucifixion, is rendered with characteristic intensity. Dürer focuses on the central figures traditional to this solemn depiction: the suffering Christ fixed to the cross, flanked by the grieving figures of the Virgin Mary and Saint John the Evangelist. The composition is stark and emotionally concentrated, emphasizing the religious pathos central to Northern European devotion. Unlike some of his later works incorporating vast landscapes, the environment here is simplified, drawing the viewer's attention entirely to the emotional dynamics of the sacred event.
As a key figure of the German Renaissance, Dürer’s mastery of the woodcut technique allowed him to widely disseminate his interpretations of key biblical scenes, cementing his reputation across Europe. The high demand for these striking images ensured that many fine impressions, or prints, survived, making his oeuvre central to the study of art history within the period 1501 to 1550. This exemplary impression of the work resides in the distinguished collection of the National Gallery of Art, providing crucial insight into the graphic output of the German master.