Christ on the Cross

Christ on the Cross by Paul Gauguin, after French, 1848-1903, presents a powerful study of religious anguish rendered through an unconventional print medium. Classified as a print executed in the 21st century, this particular impression is likely a later production or a rubbing taken from an earlier woodblock or drawing created by the artist during his intense exploration of spiritual iconography between 1895 and 1903. This complex dating means the concept belongs to the pivotal French post-Impressionist era, while the physical object exists within the modern era.

The work employs a unique technique: a rubbing achieved using black and red ink, applied directly onto ivory wove Japanese paper. This method results in a stark, immediate visualization of the subject, highlighting the essential outlines and textural qualities without the extensive detail typical of conventional etching or engraving. The use of red ink specifically emphasizes the element of blood or divine suffering inherent in the scene, lending the figure of Christ an increased sense of visceral immediacy.

Gauguin (1848-1903) frequently drew upon Catholic themes, often incorporating his stylistic innovations and expressive use of line into traditional religious narratives. The iconography of the crucifixion was particularly compelling to him during his later years. Although the artist's major work was rooted in 19th-century France, the continued production of prints from his designs in the 21st century ensures his enduring relevance. This specific rubbing, documenting his approach to the Christ on the Cross motif, resides in the prestigious collection of the Art Institute of Chicago. The continued availability of high-quality prints and materials through public domain initiatives ensures that this and similar works by the French master remain accessible for study globally.