Christ Crucified between the Two Thieves: an Oval Plate

Christ Crucified between the Two Thieves: an Oval Plate is a profound print created by Rembrandt van Rijn in 1641. Executed using the demanding techniques of etching and drypoint, the work showcases the artist's unparalleled skill in manipulating tonal contrasts on the copper plate. The print depicts the dramatic climax of the Passion narrative, framing the central figure of Christ alongside the two condemned thieves, a subject Rijn returned to throughout his career, often with evolving stylistic approaches.

This piece emerged during the height of the Dutch Golden Age, spanning the period of 1601 to 1650, a time characterized by deep religious contemplation and technical innovation in the arts. Rijn’s treatment of this Biblical scene is intensely focused. The artist utilized the drypoint burr to create rich, velvety shadows that emphasize the stark suffering of the figures, concentrating the viewer’s attention entirely on the emotional core of the event. Unlike his earlier, more detailed interpretations of the Crucifixion, the restrictive oval format of this Christ Crucified between the Two Thieves confines the drama, enhancing the intimacy and spiritual weight of the moment.

The unconventional oval shape lends a meditative, almost medallion-like quality to the composition. While focusing on the profound suffering of Christ, Rijn captures the turbulent atmosphere of the setting, marked by the sparse, raking light that defines the figures against the surrounding gloom. Rijn mastered the art of printmaking, producing numerous highly sought-after religious subjects and portraits throughout his career. This powerful depiction, classified as one of Rijn's essential prints from the 1640s, demonstrates his continuous experimentation with the medium. This significant piece of Dutch printmaking history is housed in the collection of the National Gallery of Art, with high-quality images of the work frequently released into the public domain.