Christ at Emmaus: the Larger Plate

Christ at Emmaus: the Larger Plate by Rembrandt van Rijn is a quintessential example of 17th-century printmaking, executed in 1654. This complex work is a composite print utilizing etching, burin, and drypoint, techniques the artist expertly combined to achieve a profound sense of atmosphere and depth. Created during the period of 1651 to 1700, this piece reflects the spiritual focus and dramatic realism characteristic of the Dutch Golden Age.

The print illustrates the New Testament story (Luke 24:28-32) in which Christ reveals his identity to two disciples at a shared meal in the village of Emmaus. Rijn captures the precise moment of recognition. Christ is seated centrally at the table, radiating a powerful, internal light source that sharply contrasts with the deep shadows surrounding him and the background architecture. This dramatic use of chiaroscuro, achieved through meticulous handling of the etched line and the rich, velvety texture of the drypoint burr, amplifies the sense of divine revelation. The reactions of the disciples and the serving figure convey the psychological shock and sudden comprehension of the miracle.

Rijn was highly respected during his career for his profound understanding of the print medium, often experimenting with techniques to manipulate light and texture across different states of the plate. Unlike an earlier, smaller etching of the subject, this Christ at Emmaus: the Larger Plate offers a more expansive and theatrically staged composition, showcasing the artist’s mature technical skills and narrative focus. The work provides valuable insight into the central role religious narratives played in 17th-century Dutch culture. This significant print is part of the collection of the National Gallery of Art.