Christ Appearing to Mary Magdalene by Albrecht Dürer is a remarkable early sixteenth-century work created between 1509 and 1510. This pivotal image is executed as a woodcut on laid paper, showcasing Dürer's innovative mastery of the print medium. Belonging firmly to the German Renaissance, this artwork exemplifies the explosion of artistic and intellectual energy characteristic of the period spanning 1501 to 1550, when printmaking rapidly evolved into a sophisticated channel for the widespread distribution of religious imagery. The careful cross-hatching and meticulous attention to textural detail demonstrate the elevated status Dürer brought to the traditionally artisanal technique of wood engraving.
The subject illustrates the biblical event known as Noli me tangere (Touch me not), which immediately followed the Resurrection. The resurrected Christ appears to Mary Magdalene outside his empty tomb, disguised as a gardener. Christ is depicted holding the standard attributes of the role, including a spade. Mary Magdalene kneels in a posture of immediate, reverent recognition, reaching slightly toward him before receiving his instruction not to touch. Dürer’s compositional skill is evident in the dynamic tension between the two figures and the highly detailed background landscape, which helps frame this dramatic spiritual encounter.
This woodcut was part of Dürer's influential print cycle focused on the Great Passion, further demonstrating the artist's dedication to creating comprehensive, easily reproducible prints for the devout public. This exceptional example of early German printmaking is held in the collection of the National Gallery of Art. The clarity and precision of the lines confirm Dürer’s unparalleled influence on graphic arts throughout Europe. While many religious paintings were restricted to church interiors, the prolific output of prints ensured that his interpretations of key biblical events reached a wide audience. As a foundational work of the period, this depiction of Christ Appearing to Mary Magdalene is highly studied and is often available for educational reference through public domain resources provided by the museum.