Capitulation of a Town by Giovanni Battista Tiepolo, drawing, 1696-1770

Capitulation of a Town

Giovanni Battista Tiepolo

Year
1696-1770
Medium
pen and brown ink with brown wash over black chalk on laid paper
Dimensions
overall: 38.8 x 24.5 cm (15 1/4 x 9 5/8 in.)
Museum
National Gallery of Art

About This Artwork

The drawing Capitulation of a Town by Giovanni Battista Tiepolo is a powerful example of Italian draftsmanship, executed using pen and brown ink with brown wash over black chalk on laid paper. This piece, classified as a drawing, showcases the artist’s characteristic mastery in preparatory sketches or finished compositions on paper, which were essential steps in the production of larger 18th-century frescoes and paintings. The expert application of brown wash allows for a dramatic interplay of light and shadow, effectively defining form and atmosphere in the crowded, tense scene.

While Tiepolo’s active career predominantly spanned the eighteenth century, the stylistic energy and subject matter of this dynamic work resonate with the robust historical narrative tastes popular between the years 1651 to 1700. Tiepolo, renowned for his frescoes and large-scale historical paintings, frequently utilized ink drawings like this one to rapidly explore compositions, spatial relationships, and the dramatic movement of figures. The subject matter depicts the immediate aftermath of a military defeat, focusing on the moment a commander formally surrenders to a victorious general, observed by surrounding soldiers and townspeople. This concentration on human drama and political consequence is typical of Baroque and Rococo historical treatments.

The initial structure of the composition was laid out with black chalk, providing a framework before Tiepolo refined the lines using the precision of the pen and brown ink. The subsequent wash serves to unify the figures, emphasizing the weight and dignity inherent in this ceremonial exchange. This influential Italian master's working methods, visible in Capitulation of a Town, are invaluable for art historians studying the period. The drawing resides in the extensive collection of the National Gallery of Art in Washington D.C. Today, as numerous art institutions promote access to their historical archives, collectors often seek out high-quality prints and reproductions of Tiepolo’s works that have entered the public domain.

Cultural & Historical Context

Classification
Drawing
Culture
Italian
Period
1651 to 1700

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