Busk Cemetery (Le cimetière de Busk) by Henri de Toulouse-Lautrec is a significant print produced late in the artist’s career. Executed as a lithograph, this work exemplifies the technical versatility and stylistic freedom that printmaking afforded French artists during the Post-Impressionist era. The piece was created in 1897 and formally published in 1898, reflecting the precise chronology of the artist's prolific output in the final years of the 19th century.
While Toulouse-Lautrec is famously associated with the vibrant, chaotic interiors of Parisian cabarets and dance halls, Busk Cemetery offers a quieter, more contemplative subject. The composition captures the austere and solemn character of the burial ground, demonstrating the artist’s ability to imbue even rural settings with a distinct emotional resonance. This French master utilized the lithographic process to achieve deep contrasts and nuanced textures, employing characteristic economy of line and strong graphic forms.
The classification of this piece as a print underscores the growing importance of graphic arts in the dissemination and expression of modern artistic ideas. Toulouse-Lautrec’s work was crucial in elevating the status of the poster and the lithograph from commercial tools to serious artistic media. This particular work is held in the renowned collection of the Museum of Modern Art, New York, where it contributes to MoMA’s extensive documentation of 19th-century European prints. Due to its age and cultural heritage, this image is increasingly referenced in discussions concerning the accessibility of public domain art for researchers and enthusiasts worldwide.