Bookplate Paul Marc I (Ex Libris Paul Marc I) is an early graphic work executed by Franz Marc in 1902. This intimate piece, classified as a print, utilizes the technique of lithography combined with delicate watercolor additions, highlighting Marc’s skill in combining mechanical reproduction with manual intervention. Created early in the artist’s career, the work serves as a personal Ex Libris designed for the artist's brother, Paul Marc. The tradition of the bookplate was particularly strong in German culture at the turn of the century, providing artists with opportunities for small-scale, symbolic commissions that were popular in the early 1900s.
The use of lithography allowed Marc to create a fine, illustrative line, characteristic of graphic arts prevalent during this period (1902). Unlike the vibrant, Expressionist animal compositions that would later define his oeuvre, this early German print demonstrates an attention to precise structure and symbolic design necessary for ownership identification. The addition of hand-applied watercolor suggests that the edition was likely small and highly personalized, making each individual impression subtly unique. Marc produced several bookplates for family members during his initial years as a student and developing artist, practicing composition and symbolism before the founding of the Der Blaue Reiter group.
As a foundational piece in understanding the trajectory of Marc’s development, Bookplate Paul Marc I (Ex Libris Paul Marc I) provides insight into the artist's foundational training before his transition toward abstraction. While many later prints by the master are widely reproduced, early works such as this offer a specialized view into his output before he became a major figure of Modernism. This important work is part of the permanent collection of the Museum of Modern Art (MoMA), ensuring its preservation and study alongside Marc’s later masterworks.