Betrayal of Christ, from The Engraved Passion

Betrayal of Christ, from The Engraved Passion is a highly significant engraving by Albrecht Dürer German, 1471-1528, created in 1508. This work is part of a celebrated series that cemented Dürer’s reputation as the foremost printmaker of the Northern Renaissance. Executed in black on ivory laid paper, this piece demonstrates the meticulous detail and technical mastery characteristic of German printmaking during this period. The use of sophisticated linear work, including cross-hatching and subtle transitions in tone, elevates the medium of engraving to the status of high art, allowing Dürer to capture complex emotional narratives within a condensed format.

The subject matter depicts the tumultuous moment in the Garden of Gethsemane when Judas Iscariot identifies Christ with a kiss, leading to his arrest by a contingent of Roman soldiers and Jewish officials. Dürer focuses the composition on the intense physical and emotional confrontation, contrasting Christ’s calm, central presence with the aggression of the surrounding figures bearing torches and weapons. Produced during the height of Dürer’s artistic career, this print reflects the intense religious and narrative focus prevalent in early 16th-century Germany. As a foundational Renaissance master, Dürer’s vast output, especially his iconic prints, are widely studied; many of his important works are now considered public domain and continue to influence artists globally. This remarkable example of Betrayal of Christ is held in the permanent collection of the Art Institute of Chicago, illustrating the international importance of this pivotal German artist’s contribution to graphic arts.