Behemoth and Leviathan by William Blake, executed in 1825, is a powerful example of the artist's late-career graphic work. This masterful engraving technique classifies the piece as a fine art print. Created during the period spanning 1801 to 1825, the work belongs firmly to the late British Romantic tradition, characterized by a deep engagement with spiritual, mythological, and apocalyptic narratives.
Blake’s interpretation of the mythical beasts described in the Book of Job captures the confrontation between the terrestrial monster Behemoth and the colossal sea creature Leviathan. These figures traditionally represent chaos or the untamable forces of the physical world. The intense, densely rendered lines typical of Blake’s prints amplify the dramatic tension of the scene. The precision afforded by the engraving medium allowed Blake to achieve stark contrasts between light and shadow, highlighting the overwhelming scale and raw, sublime power embodied by these figures.
The composition emphasizes the theological aspect of creation as described in scripture, a common preoccupation for British artists during the Romantic movement. Blake often used the printmaking process to circulate his complex visionary themes, and this particular piece showcases his mature, energetic draughtsmanship.
This powerful visualization of theological struggle resides in the permanent collection of the National Gallery of Art. The work exemplifies Blake's profound contribution to the history of fine art prints, continuing his legacy as a visionary poet and artist. As a significant creation from the 1801 to 1825 period, the piece is frequently studied for its deep connection to Romantic era mysticism and its influence on subsequent generations of illustrators. High-resolution images of the artwork are often made available through museum initiatives, ensuring the study of this masterwork remains accessible, occasionally entering the public domain to facilitate academic appreciation of Blake's distinctive style.