"Bald Man in a Fur Cloak: Bust" is a compelling etching on paper, dated 1631, attributed to the Dutch master Rembrandt van Rijn, though it may have been extensively reworked by a pupil, potentially Jan van Vliet. This potential for collaboration is common among works produced in Rijn’s thriving studio during the early 1630s in the Netherlands. The classification as a print highlights the artist's early mastery of etching techniques, utilizing sharp lines and intricate cross-hatching to define shadow and texture.
The subject is presented as a bust, depicted in three-quarter view, concentrating attention on the texture of the voluminous fur collar and the starkly illuminated bald head. While the identity of the sitter is unknown, the piece functions as a detailed character study. This type of expressive portrait, often featuring aged or unusual faces, is characteristic of a tronie, a genre popular in 17th-century Dutch art. Rijn frequently explored variations in human emotion and physiognomy through these studies, maximizing the dramatic effect achievable through the precision of the etched line.
This exceptional example of Dutch printmaking resides in the permanent collection of the Art Institute of Chicago. Dating from a period when Rijn was rapidly establishing his reputation in Leiden and Amsterdam, the work showcases the high demand for prints during the Dutch Golden Age. As this historical artwork is often considered within the public domain, it remains an accessible subject for scholarly study and general appreciation, reinforcing the lasting legacy of Rijn’s contributions to the art of etching.