Baigneuses, gardeuses d'oies (Bathers Tending Geese) by Camille Pissarro, print, 1895

Baigneuses, gardeuses d'oies (Bathers Tending Geese)

Camille Pissarro

Year
1895
Medium
color etching and drypoint with aquatint
Dimensions
image: 9.1 x 15.1 cm (3 9/16 x 5 15/16 in.) sheet: 16.5 x 19.7 cm (6 1/2 x 7 3/4 in.)
Museum
National Gallery of Art

About This Artwork

Baigneuses, gardeuses d'oies (Bathers Tending Geese) is a significant print created by Camille Pissarro in 1895. Classified as a French print, this artwork showcases the artist’s continued mastery of graphic techniques late in his prolific career. The medium employed is a complex combination of color etching and drypoint with aquatint, allowing Pissarro to achieve rich textural variation and nuanced tonal effects. This intricate process of combining line work (etching and drypoint) with broad tonal areas (aquatint) demonstrates the commitment Pissarro maintained toward technical innovation during the 1890s.

The piece belongs to the period between 1876 to 1900, during which Pissarro often turned his attention from urban scenes to the quiet labor and idealized rural life of the French countryside. The subject matter, featuring nude bathers situated near women tending geese, draws upon the classical motif of the pastoral nude while grounding it in modern peasant life. The integration of female figures bathing and working represents a persistent theme for the artist: the harmonious intersection of the human figure with the landscape, often subtly celebrating the dignity and timelessness of rural activity.

Pissarro dedicated considerable energy to his printmaking output during this decade, frequently revisiting themes explored in his paintings. This specific work exemplifies a refinement of his compositional strategy and a dedication to achieving depth and atmosphere through purely graphic means. The combination of delicate, scratched drypoint lines and the soft, modulated washes of the aquatint elevates this print beyond mere illustration, establishing it as a key component of the artist’s late output. As a celebrated example of late Impressionist printmaking, the work resides in the permanent collection of the National Gallery of Art. Due to its historical standing, this piece, like many important Impressionist prints, is often made available to the public through high-quality public domain resources, ensuring its accessibility for academic study and appreciation worldwide.

Cultural & Historical Context

Classification
Print
Culture
French
Period
1876 to 1900

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