At the Spring: Saratoga (Hearth and Home, Vol. I) is a detailed wood engraving created by Winslow Homer in 1869. This significant American print captured a lively scene of leisure and high society at the height of the Gilded Age. Published in the magazine Hearth and Home, the work disseminated Homer’s keen observations of contemporary life to a broad national audience, utilizing the mass-market accessibility of the print medium.
The composition centers on the renowned mineral springs of Saratoga, New York, a major destination for the fashionable elite seeking health and social prominence. Homer depicts well-dressed Men and Women mingling along the promenade. Though the ostensible purpose of the gathering was for Drinking the supposedly curative waters, the scene emphasizes social ritual. Groups are shown engaged in conversation and subtle displays of status, offering a candid glimpse into the elaborate customs of late nineteenth-century resort culture. Homer’s technique masterfully uses the contrast inherent in wood engraving to capture the textures of the clothing and the bright atmosphere of the busy spring.
As a versatile illustrator and artist, Homer provided vital visual documentation of post-Civil War American society, blending realism with subtle commentary. This piece is classified as a print and highlights the artist’s skill in rendering complex social narratives within a restricted black-and-white format. The work remains an important holding in the collection of the Metropolitan Museum of Art. Due to the era and context of its publication, this wood engraving is frequently included in public domain collections, ensuring its continued accessibility for art historical study and reference.