Henri de Toulouse-Lautrec’s 1893 work, At the Renaissance: Sarah Bernhardt in Phèdre, captures one of the most celebrated stage figures of 19th-century Paris. The French artist created this immediate and dynamic image using the challenging medium of lithography on grayish-cream wove paper. This print is a crucial example of Lautrec’s technical expertise and his dedication to documenting the vibrant theatrical and nightlife culture of Belle Époque France.
The subject is the iconic actress Sarah Bernhardt (1844-1923) in the title role of Jean Racine's classical tragedy, Phèdre. Bernhardt performed this demanding role at the Théâtre de la Renaissance, a venue Lautrec frequently immortalized in his compositions. Lautrec often sketched his subjects in situ, resulting in works that feel immediate and journalistic. This piece focuses on the dramatic intensity of the performance, highlighting Bernhardt's expressive presence and flowing stage costume, underscoring the era's fascination with classical revival filtered through celebrity culture.
As a master of the print medium, Lautrec employed the inherent properties of the lithograph to achieve sharp lines and tonal variation, suitable for widespread distribution as posters or portfolio prints. The classification as a print confirms its intended function within French visual culture of the era. This significant work resides within the extensive collection of the Art Institute of Chicago, offering researchers a prime example of fin-de-siècle graphic design. Works such as this, produced by Lautrec in 1893, are now frequently available in the public domain, increasing access to high-quality fine art prints.