At the Ice Palace by Henri de Toulouse-Lautrec French, 1864-1901, created in 1895, is a significant example of the artist's masterful contributions to graphic arts. This powerful print was executed using the demanding medium of color lithograph on cream wove paper. 1864-1901’s choice of lithography was characteristic of his era in France, where the medium was rapidly evolving for both fine art expression and mass commercial poster production. As a discerning observer of modern urban life, the artist utilized the flat planes and bold color capabilities inherent in the lithographic process to capture the dynamic, often fleeting, energy of fin-de-siècle Parisian society. This technique allowed him to quickly disseminate images and commentaries on contemporary culture, establishing him as one of the great practitioners of modern prints.
The composition of At the Ice Palace refers directly to one of the period's most popular entertainment venues. The "Ice Palace" (Palais de Glace) was a famous skating rink and social hub located on the Champs-Élysées, symbolizing the vibrant nightlife and public spectacle that frequently dominated 1864-1901’s output. He often turned his gaze toward the patrons and performers who frequented these liminal spaces, moving beyond traditional portraiture to document transient, unposed moments. The work exemplifies his Post-Impressionist commitment to capturing immediate visual sensations through simplified form and expressive, often economical, line work.
This piece, definitively classified as a print, offers essential insight into the artistic climate of France during the 1890s, where traditional art forms intersected with commercial reproduction technologies. 1864-1901’s dedication to capturing the Parisian demimonde influenced countless subsequent artists working in graphic media. The importance of this work ensures its careful stewardship within the permanent collection of the Art Institute of Chicago.