Apple Tree (Apfelbaum) (plate, folio 39) from Klänge (Sounds) by Wassily Kandinsky, illustrated book, 1913

Apple Tree (Apfelbaum) (plate, folio 39) from Klänge (Sounds)

Wassily Kandinsky

Year
1913
Medium
Woodcut from an illustrated book with fifty-six woodcuts
Dimensions
composition: 3 15/16 x 3 15/16" (10 x 10 cm); page: 11 1/16 x 10 7/8" (28.1 x 27.7 cm)
Museum
Other

About This Artwork

Apple Tree (Apfelbaum) (plate, folio 39) from Klänge (Sounds) is a seminal woodcut created by Vasily Kandinsky in 1913. This striking graphic work is extracted from the illustrated book Klänge (Sounds), a pivotal German-language publication that combined Kandinsky’s short, often highly abstract, prose poems with fifty-six original woodcuts. The creation of Klänge demonstrates the artist’s comprehensive vision for merging visual and literary arts and pushing the boundaries of traditional illustrated books.

Created during a critical period of transition for the artist, 1913 saw Kandinsky firmly established as a pioneer of non-objective, abstract art. While the specific image of Apple Tree (Apfelbaum) retains some suggestion of a natural form or figuration, the composition uses the stark contrast and dynamic lines inherent in the woodcut technique to achieve radical simplification. Kandinsky utilized the medium-specific roughness and intensity of black and white marks to translate the expressive power of his contemporaneous oil paintings into highly concentrated, powerful prints. This era marks the height of his theoretical explorations into synesthesia and the spiritual function of form.

The book Klänge served as an ambitious project of artistic synthesis, attempting to give graphic form to internal states and spiritual “sounds.” The dissemination of this kind of abstract artwork, particularly in the form of mass-reproducible prints, was essential to the spread of early Modernism. Although Kandinsky was Russian, the vibrant art market and critical discourse among the French culture ensured that such groundbreaking works gained international recognition swiftly. Classified specifically as an illustrated book plate, this work confirms the important role of graphic design in early 20th century abstraction. The piece resides in the permanent collection of the Museum of Modern Art, serving as a key document for scholars examining the origins of non-objective art and the transformation of visual expression in the years leading up to World War I.

Cultural & Historical Context

Classification
Illustrated Book
Culture
French
Period
(1913)

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