Apollo Standing in His Chariot by Giovanni Battista Tiepolo, drawing, 1696-1770

Apollo Standing in His Chariot

Giovanni Battista Tiepolo

Year
1696-1770
Medium
Pen and brown ink, brush with pale and dark brown wash, over black chalk
Dimensions
9-1/2 x 9-9/16 in. (24.2 x 24.3 cm)
Museum
Metropolitan Museum of Art

About This Artwork

Apollo Standing in His Chariot is a masterful drawing by the Venetian Rococo artist Giovanni Battista Tiepolo, created during his prolific career (1696-1770). This specific drawing exemplifies Tiepolo's celebrated draftsmanship, utilizing pen and brown ink, enhanced by a brush application of pale and dark brown wash, layered meticulously over an initial sketch in black chalk. This combination of mediums allowed Tiepolo to achieve rich tonal contrasts and dynamic effects of light and shadow, characteristic of his successful career designing grand ceiling frescoes.

The subject centers on the classical figure of Apollo, the god of the sun, poetry, and music, presented powerfully standing within his celestial chariot. Tiepolo often used mythological narratives to demonstrate grand spectacle and movement. Below the central figure, a swirling array of allegorical figures and attendants can be discerned. These accompanying figures include carefully rendered female nudes who seem caught in the ascending action and momentum of the chariot. This type of dynamic sketch likely served as a preliminary modello or detailed study for a much larger final composition, anticipating the illumination and scale of the ultimate piece.

This exceptional example of Italian drawing remains a key piece in the collection of the Metropolitan Museum of Art. Tiepolo’s technical brilliance in handling wash and ink makes the work highly studied by scholars of the eighteenth century. Because the artist’s extensive output is well-documented and recognized globally, many of his preparatory studies are frequently reproduced. High-quality prints of this famous drawing are available, reflecting the piece’s cultural importance and its accessibility through efforts to make art historical resources available in the public domain.

Cultural & Historical Context

Classification
Drawing

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