Anxiety

The print Anxiety, created by Edvard Munch (Norwegian, 1863-1944) in 1896, is a powerful example of the artist’s engagement with modern psychological states. This specific iteration is a woodcut rendered in black ink, printed by the German firm Lassally on lightweight ivory laid proofing paper. Munch, a central figure in the Symbolist movement and early Expressionism, frequently translated his iconic emotional themes across various media. Unlike the oil paintings that shared similar compositions, the bold, graphic clarity of this print emphasizes the raw psychological intensity of the scene, utilizing the woodcut medium to heighten contrast and texture.

As part of his pivotal Frieze of Life series, Munch explored universal experiences of loneliness, fear, and existential dread. Originating in Norway, his innovative approach to printmaking allowed him to simplify forms, creating a stark visual language appropriate for the era’s focus on internal turmoil. The figures, presented against a darkening, swirling landscape derived from the motif used in The Scream, appear isolated and overwhelmed, reflecting the psychological tension inherent in fin-de-siècle art. The coarse lines and heavy chiaroscuro typical of the woodcut technique further amplify the feeling of unease that gives the work its title.

This important work is classified as a print, demonstrating Munch’s dedication to making his profound imagery accessible through reproducible formats. The technical characteristics of this impression, including the specific paper proofing, offer insights into the production methods of late 19th-century fine art prints. This historic woodcut of Anxiety is housed within the permanent collection of the Art Institute of Chicago, where it serves as a key reference for scholars examining the history of Norwegian modernism and graphic arts. As a widely circulated composition, the piece is frequently studied and referenced across numerous public domain collections worldwide.