"Angelica Spied On by the Hermit" is an oil painting on panel created in 1637, attributed to a follower working after the style and design of Peter Paul Rubens (Siegen 1577 - 1640 Antwerp). This work captures a dramatic moment derived from the epic poem Orlando Furioso by Ludovico Ariosto, a narrative highly favored during the Baroque era for its emotional depth and opportunities to depict the nude figure. Although executed relatively late in the artist's career, the piece reflects the dynamic compositions and rich coloring characteristic of Rubens’s mature Antwerp workshop. The use of the wooden panel as a support highlights the specific material choices common in Flemish painting of the 17th century.
The composition centers on the figure of Angelica, positioned prominently as she is observed secretly by the lecherous Hermit, an episode that balances sensuality with narrative tension. Rubens, famed for his robust and sensual depictions of mythological and historical subjects, established the compositional template for this dramatic encounter, emphasizing the contrast between youthful beauty and the older observer.
While the identity of the specific copyist remains uncertain, the execution demonstrates a successful absorption of the master’s technique, particularly in the handling of flesh tones and dynamic posture. This significant Baroque interpretation is currently held within the distinguished collection of the Mauritshuis. Because the original design falls well within the public domain, high-quality reproductions and prints of this compelling work are widely accessible, allowing global appreciation of the narrative power inherent in Rubens’s designs.