The artwork Anatomical Studies of Legs by Eugène Delacroix (1798-1863) represents a focused examination of human form, typical of the intensive preparatory work undertaken by Romantic masters. Created sometime between 1810 and 1863, this classification drawing utilizes a sophisticated and layered technique. The piece is a counterproof taken from an original drawing, executed initially in red and black chalk. Delacroix later added further definition and detail to this impression using only black chalk. This process allowed the artist to reverse the image and study the composition from a new, often critical, perspective, a common practice for artists refining forms destined for larger paintings or reproductive prints.
The subject matter, centering specifically on the careful study of human legs, reflects the academic necessity of mastering anatomy to render the body dynamically in complex compositions. Delacroix's commitment to capturing the underlying structure of the body is evident in the careful musculature rendered here, showcasing his dedication to foundational draftsmanship throughout his long career. Although often celebrated for his vibrant colorism and dramatic narratives, the exacting nature of this study reminds viewers of the rigorous training required of the nineteenth-century master. This important work belongs to the permanent collection of the Metropolitan Museum of Art (The Met). As the artist died over 150 years ago, high-resolution images of this Delacroix study are frequently made available through the museum’s ongoing efforts to place historical art into the public domain for scholarly research and appreciation.