An Oriental Ruler Seated on His Throne

The detailed drawing titled An Oriental Ruler Seated on His Throne was executed around 1523 by Anonymous Artist; Albrecht Dürer. This compelling example of draftsmanship is rendered entirely in pen and black ink, a medium that showcases meticulous attention to volume and form through precise linear work and cross-hatching. Although the full certainty of attribution remains debated, the technical mastery and characteristic strength of the composition have led scholars to closely associate the piece with the renowned German master Dürer, or an artist working directly within his influential circle.

The central figure, depicted in rich, exotic attire suggesting high status, occupies a formal throne, projecting an air of imperial authority. While the specific culture of the figure remains listed as Unknown, the subject reflects the increasing European fascination with foreign potentates and costume studies prevalent during the Renaissance. Such drawings, created during the period 1501 to 1550, often served as source material or preparatory sketches for engravings or woodcuts, enabling the creation of numerous prints that circulated widely across Europe.

If indeed by Dürer, this work aligns with his later career interests, particularly his exploration of non-European subjects and his mastery of intricate line work suitable for reproduction. The drawing technique emphasizes the weight and texture of the fabrics and the psychological presence of the ruler, hallmarks of the High Northern Renaissance style.

Today, this significant historical drawing resides in the permanent collection of the National Gallery of Art, Washington D.C. Its status as a recognized masterwork of the era ensures careful preservation, while its historical importance often permits high-quality reproductions for educational research through public domain initiatives. This piece provides valuable insight into the artistic practices and geographical imaginings of the early 16th century.