Adoration of the Magi

Adoration of the Magi, attributed to the Possibly school of Peter Paul Rubens Flemish, 1577-1640, is a dynamic 17th-century drawing that captures the biblical Epiphany scene. Executed on ivory laid paper, this work displays sophisticated drafting skills using red chalk and brush with a prominent red chalk wash. Careful inspection also reveals traces of black chalk used for initial sketches or outlining, suggesting it may have served as a modello or study for a larger oil painting. The composition focuses intently on the three kings presenting their gifts to the Christ Child and the Virgin Mary, a popular and powerful subject in Baroque religious art. Dating between 1600 and 1699, this piece originated within the prolific artistic milieu of Belgium, where the influence of Rubens defined the visual culture of the era.

The association with the school of Rubens highlights the profound impact the master had on subsequent generations of Flemish artists working in the style prevalent during the 1577-1640 period. Drawings such as this were essential tools for disseminating compositional ideas and refining figure studies throughout the workshop, often serving as preparatory stages for monumental commissions. The fluid application of the red wash gives the scene depth and drama, characteristic of the Baroque emphasis on movement, light, and emotional intensity. Now housed in the permanent collection of the Art Institute of Chicago, this drawing offers valuable insight into studio practice during the 17th century. Although unique as an original drawing, images of this work often circulate in the public domain, providing access for scholars and enthusiasts seeking high-quality prints and reference material related to this period of Flemish art history.