The influential print Adam and Eve, created by Albrecht Dürer in 1504, is one of the most famous examples of Northern Renaissance engraving. This highly detailed work, executed using a burin on copper plate, demonstrates Dürer’s unparalleled technical mastery of the medium. The precision and complexity of the line work established new standards for prints throughout Europe and cemented the artist’s reputation abroad.
The composition depicts the pivotal moment before the Fall of Man in the Garden of Eden. Adam and Eve stand idealized, positioned symmetrically against a backdrop of dense German forest, reflecting Dürer’s deep study of classical human proportion. The artist’s meticulous detailing extends to the surrounding animals, which are symbolic representations of the four temperaments. Among the foliage, the choleric Cat, the phlegmatic Ox, and a melancholic Elk are visible. The temptation is signaled by the Snake, coiled around a branch, offering the forbidden fruit to Eve.
Dürer intended this engraving not just as a religious scene but also as a vehicle to showcase his expertise in anatomy and perspective. As a highly sought-after print, Adam and Eve circulated widely, influencing subsequent generations of German and Italian artists. This historically important work from the early Renaissance period is housed today within the renowned collection of the Metropolitan Museum of Art, and high-resolution versions of the print are often made available through public domain initiatives.