The drawing A Young Man, created around 1635 by an artist in the School of Rembrandt van Rijn, exemplifies the powerful and introspective portraiture characteristic of the Dutch Golden Age. This profound work, classified as a drawing, was executed using pen and brush in brown ink, capturing a depth of feeling usually associated with oil paintings. The piece is a significant example of the close study of human character practiced within Rijn's immediate circle during the mid-17th century.
The technique utilized in this focused portrait of a young man showcases the expressive potential of brown ink. The artist employed a sharp pen for outlines and fine details, contrasted with broad washes from a brush to establish deep shadows and strong modeling. This dramatic use of light and shadow demonstrates the clear influence of the master, Rijn, particularly in the subtle rendering of the subject’s facial expression. Further adding to its historical interest, the verso of the sheet bears evidence of being printed in brown, suggesting the reuse or experimentation with the paper support.
While the specific draftsman remains unidentified, the masterful handling of the medium confirms its provenance within the highly skilled studio environment of the School. Drawings like this served both as preliminary studies and compelling finished portraits, defining the aesthetic standards for which the School is renowned. This exceptional piece is housed in the permanent collection of the Metropolitan Museum of Art. Because such historical drawings frequently enter the public domain after careful conservation, high-quality reference prints are often made available, allowing scholars worldwide to study the detailed technique displayed in A Young Man.