A Woman Seated at a Bench on the Avenue du Bois is a crucial drawing completed by Berthe Morisot in 1885. This work, rendered primarily in watercolor over delicate traces of graphite, showcases Morisot's signature fluid technique, characteristic of her late-career Impressionist style. Although classified as a drawing due to its foundational graphite elements, the rich application of watercolor elevates the piece beyond a mere sketch, capturing the ephemeral light and atmosphere of a Parisian afternoon.
Morisot often centered her compositions on the daily lives of contemporary women, particularly those navigating the new, increasingly accessible spaces of public leisure in Paris. The subject, elegantly seated on a park bench, observes her surroundings while maintaining a sense of private contemplation. The prominent inclusion of a parasol not only suggests the bright light filtering through the trees but also serves as a common attribute associated with respectable female presence in the city’s fashionable parks and avenues during the late 19th century. Morisot uses rapid, loose strokes to evoke movement and the interplay of sunlight and shadow.
This intimate scene is preserved in the renowned collection of the Metropolitan Museum of Art, where it serves as a powerful example of Morisot’s mastery of the aquarelle medium. The drawing highlights the artist's foundational role in the Impressionist movement and her unique perspective on modern femininity. Due to the cultural importance of works like A Woman Seated at a Bench on the Avenue du Bois, high-quality prints and references are often made available to the public domain, allowing broader access to Morisot's distinctive visual language and her observations of everyday life.